Thursday, March 17, 2011
There is nothing further to say on the subject of my work, which I have created myself, and whose face I do not know. It will be there - that's all one can be certain of - it will be there, it will abide and be there, and there's nothing to say. This is darkness and yet this is also light - this is life and work. Don't laugh, this is what it is.
If the ordinary men, the men who work and keep their silence, by which fact they are not ordinary after all - if then, the general run of men, were to write down all their thoughts or a fraction of them, what a universe of literatures we'd have! And I struggle with these pencil-marks and scribblings.
Saturday, March 12, 2011
What fates, what forces were guiding the flow of my own journey? It hardly seemed to matter. To enter Ryhope was to enter a confusion at the edge of things, a sensory cacophony of sound and vision - glimpses and echoes that could not be grasped - that was both frightening and seductive. I had experienced these feelings on a previous occasion, and had become determined to fight through the fear, to fight the dizzying defenses of this semi-sentient wildwood, to find that certain moment when a definable and welcome preeace replaced the screams of the anxious intellect and the tricks that the forest was playing. It was a moment when a hand seemed to reach out and soothe everything, from mind to brow. There was a certainty attached to this moment, a feeling that the direction was right, that the events which were being witnessed and the loss of control were all being carefully monitored. I was like a child, secure on the assertion and confidence of a parent, unaware, of course, that the parent was trained to respond to my fears in just this way.
Previously I had turned about when this catharsis had occurred. Now, however, with the rediscovery of Guiwenneth as my goal, I fought against the feeling to return and let events take their course.
I though of Longfellow as I launched the short canoe; I lay back, my pack at my head, my arms over the sides of the simple, smooth-hewn craft; I let the river take me and watched the sky through the over-reaching branches of the trees. I let the motion of hull and water become the movement of time itself, taking me backward, ever backward, into a distance of which I had only dreamed.
This was the edge of the wilderness. It was the true entrance to the past and to the Otherworld and I became afraid to watch it, aware of its beauty and its confusion. To try to see it, to document it, would perhaps have been to find that it ceased to exist; and it would spit me out, hurl me back into the bright air near the cornfield by Oak Lodge, drifting again on a stream in England rather than on a river that flowed into the realm of ghosts.
I thought of Longfellow, and his Hiawatha.
I thought of Arthur on his way to Avalon, stretched out in his brage, three queens tending to his mortal wounds. And I rued the lack of women, black cowled or otherwise. How nice, how pleasant it would have been to have had their strange company on this sluggish journey to the past.
Previously I had turned about when this catharsis had occurred. Now, however, with the rediscovery of Guiwenneth as my goal, I fought against the feeling to return and let events take their course.
I though of Longfellow as I launched the short canoe; I lay back, my pack at my head, my arms over the sides of the simple, smooth-hewn craft; I let the river take me and watched the sky through the over-reaching branches of the trees. I let the motion of hull and water become the movement of time itself, taking me backward, ever backward, into a distance of which I had only dreamed.
This was the edge of the wilderness. It was the true entrance to the past and to the Otherworld and I became afraid to watch it, aware of its beauty and its confusion. To try to see it, to document it, would perhaps have been to find that it ceased to exist; and it would spit me out, hurl me back into the bright air near the cornfield by Oak Lodge, drifting again on a stream in England rather than on a river that flowed into the realm of ghosts.
I thought of Longfellow, and his Hiawatha.
I thought of Arthur on his way to Avalon, stretched out in his brage, three queens tending to his mortal wounds. And I rued the lack of women, black cowled or otherwise. How nice, how pleasant it would have been to have had their strange company on this sluggish journey to the past.
Friday, March 11, 2011
Tuesday, March 8, 2011
Monday, March 7, 2011
The way that can be spoken of
Is not the constant way;
The name that can be named
Is not the constant name.
The nameless was the beginning of heaven and earth;
The named was the mother of the myriad creatures.
Hence always rid yourself of desires in order to observe its secrets;
But always allow yourself to have desires in order to observe its manifestations.
These two are the same
But diverge in name as they issue forth.
Being the same they are called mysteries,
Mystery upon mystery -
The gateway of the manifold secrets.
Is not the constant way;
The name that can be named
Is not the constant name.
The nameless was the beginning of heaven and earth;
The named was the mother of the myriad creatures.
Hence always rid yourself of desires in order to observe its secrets;
But always allow yourself to have desires in order to observe its manifestations.
These two are the same
But diverge in name as they issue forth.
Being the same they are called mysteries,
Mystery upon mystery -
The gateway of the manifold secrets.
...Mine ear is open and my heart prepared: The worst is worldly loss thou canst unfold. Say, is my kingdom lost? Why, 'twas my care; and what loss is it to be rid of care? Strives Bolingbroke to be as great as we? Greater he shall not be; if he serve God we'll serve Him too and be his fellow so; revolt our subjects? That we cannot mend; they break their faith to God as well as us: Cry woe, destruction, ruin and decay; the worst is Death, and Death will have his day.
How teach again, however, what has been taught correctly and incorrectly learned a thousand thousand times, throughout the milleniums of mankind's prudent folly? That is the hero's ultimate difficult task. How render back into light-world language the speech-defying pronouncements of the dark? How represent on a two-dimensional surface a three-dimensional form, or in a three-dimensional image a multi-dimensional meaning? How translate into terms of "yes" and "no" revelations that shatter into meaninglessness every attempt to define the pairs of opposites? How communicate to people who insist on the exclusive evidence of their senses the message of the all-generating void?
Sunday, March 6, 2011
Saturday, March 5, 2011
I say unto you, Love your enemies. Do good to them which hate you. Bless them that curse you, and pray for them which despitefully use you. And unto him that smiteth thee on the cheek offer also the other; and him that taketh thy cloke forbid not to take thy coat also. Give to every man that asketh of thee; and of him that taketh away thy goods ask them not again. and as ye would that men should do to you, do ye also to them likewise. For if ye Love them which Love you, what thank have ye? For sinners also love those that love them. And if ye do good to them which do good to you, what thank have ye? For sinners also do the same. And if ye lend to them of whom ye hope to receive, what thank have ye? For sinners also lend to sinners, to receive as much again. But Love ye your enemies, and do good, and lend, hoping for nothing again; and your reward shall be great, and ye shall be the Children of the Highest: For he is kind unto the unthankful and to the evil. Be ye therefore merciful, as your Father also is merciful.
Thursday, March 3, 2011
For the One who has become many, remains the One undivided, but each part is all of Christ. I saw him in my house, among all those everyday things he appeared unexpectedly and became unutterably united and merged with me, and leaped over to me without anything in between, as fire to iron, as the light to glass. And he made me like fire and like light. And I became that which I saw before and beheld from afar. I do not know how to relate this miracle to you.
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